Buttery Toasted Patchwork Pillow

I'm having trouble coming up with new words to describe these yellow and brown wool pillows - toasty is first and foremost on my mind when I look at them. I'm working my way through two stacks of felted wool I bought from the City Quilter. They have quite a nice selection - I actually bought a teal/blue spectrum stack as well, but I I've been holding back from starting to work on it, as I feel like I'm on a roll with the yellows and browns.



I designed this pillow while on the subway, but had to improvise once I was actually executing it. These wools are bought in stacks containing beautiful but slighly mishapen pieces - it's not like I have even full fat quarters of any of these, so they almost force you to do patchwork.

I had hardly any light yellow fabric yet, and a lot of brown, so the rows containing yellow pieces ended up being 2" tall while the one containing solely brown pieces were 3". It's very hard to see this, but the corner pieces are a slightly different yellow than the others, again, improvised out of necessity due to not having enough of either yellow color.



I was also planning on having the rows and colums of brown (except the 4 dark pieces) be the same shade of brown, but I discovered that was not to be either. However, I enjoyed the troubleshooting process and was relieved that ultimately I was able to come up with a combination that worked - both in sticking as closely as possible to my original vision, and in having enough fabric to execute it.



These wool projects take longer than the cotton ones, because pinning and pressing are absolutely key. Pinning is just about the same in difficulty (show above) but the pressing of the wool seam allowances is a bit challenging. In order to prevent bulking up the patchwork, I pressed open the seams.



You really have to presss the hell out of it, and put some elbow grease into it to make it work.
Overall, I'm glad with the results - it lays flatter than my previous wool patchwork project.



The next step was that I hand embroidered the contrast stitching. It's fun to do this with the wool fabric. First of all, I love embroidery. And you don't have to use an embroidery hoop, because the fabric is nice and thick and a little stiff.



And here's a picture of the final product again!

A

Shake it Up!

Okay, I just received a challenge from an anonymous reader. In case you missed it, here it is from my last post:

Anonymous said...

icebat sure does look handsome next to your woolly pillow and vice versa. you seem like such a nice, placid sort of gal. but whatever happened to your embroidery "with an edge"? let's see more of that!

Ouch! Nice, maybe - but placid? I can't take it! So here it is. I've been sitting on this since I finished it this summer, but now I'm breaking it out.

Here's how it works:

It starts with a photo, that I bought from a Chelsea flea market - one that actually still exists (as of this writing):



Believe it or not, this project has effectively been a few years on the making. I first made a pen and ink drawing based on it:



I think the lady on the right looks a little like Karen from Will and Grace. That wasn't intentional!

This is one of my favorite drawings I've ever done. It's definitely influenced by underground cartoon art, such as Charles Burns, the Hernandez Brothers, and one of my all-time favorites, Dan Clowes, circa Like a Velvet Glove Cast in Iron era.

So, this summer, I picked it up and tried to turn it into embroidery. I traced the drawing (not the original photo) onto fabric using standard carbon paper. Long live the small stationary store!

Unfortunately, my first try didn't work out so well. I don't even have that anymore to show you. This is the second try, which is horrible, so you can just imagine how bad the first one was:



It was really hard for me to let this go, because the above represents hours and hours of embroidery. Oh well! I got it right the third time - but I did do several different takes of color combinations on the nipples before I was satisfied.



I tried to stick to a limited color palette, almost like one might do for a screen print.



I love and hate doing hair. It's incredibly time consuming - but what can you do? Hair is important!



I'm very happy with how the necklace on "Karen" turned out. The blue beads were made by doing a pretty standard back stitch in a circle, and then placing a French knot in the middle.

This was surprisingly hard to photograph! It looks a lot better in person - in the pic, the lady on the left looks like she's giving you the evil eye! But it's an optical illusion.

The $1000 Pillow

I really wanted that Woodland Creatures pillow from k studio. And I was determined to "save money" by somehow creating it myself. I also really admired their more architectural pieces as well, but I couldn't even consider tackling a project so complex.

As I considered how to do this, I had absolutely no idea where to start. I wasn't even entirely sure what stitching patterns with thread into fabric was called. I went to a local bookstore and found out oh, this is embroidery. I bought a dictionary of embroidery stitches, which was very clear and helpful, though I must admit to this day I only use 3 stitches regularly: the backstitch, the side stitch, the split stitch, and just recently, the french knot, thanks to my friends at the purl bee.